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Grateful Dead Live at Giants Stadium on 1978-09-02

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Source: Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250
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Source: 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
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Source: Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side.
Grateful Dead
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Source: 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
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Source: Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin
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Source: Master Audience Cassette; Shure SM-57 mics> Sony TC-158 Master Soundboard Cassette > Cassette > DAT source supplies the 2nd set
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eye 1,242
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Source: 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump
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Source: Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin
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Source: 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
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Source: 2 source matrix by Dusborne; Soundboard (shnid:2250), Master Soundboard Cassette > Cassette > DAT > CDR, CD Mastering by Scott Clugston; Audience (shnid:134792),Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder,Location:Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Recording,Editing and Mastering by Jim Wise, Transfer by David Minches